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Walls
and Bridges:
by Joel Meadows
03-03-06
I got back from
New York on Wednesday 1st March. I have had an association with
the city going back to when I was about seven years old. We had
a family friend who was a jeweller. He owned a building on West
48th Street and sadly is no longer with us but we would go and visit
him every year when I was a kid. So the long and the short of it
is that I’ve been to New York more than a dozen times. When
the show was announced, it threw up a number of possible problems:
last year, I made Wonder Con in San Francisco my first show of the
year. It had lots of film guests and came across as San Diego without
the insanity of 100,000 people taking over an enclosed space for
five days. Unfortunately, this year, the New York Comic Con clashed
with Wonder Con (alright it was two weekends apart but when you’re
travelling from over here, that’s pretty close). Secondly,
from my trips as someone in short trousers, I remember New York
being horribly bitter and unpleasant in February. But the guest
line-up was impressive enough to sway me so I put down my money
and went with three friends. I’m not going to bore you with
the excruciating minutiae of everything we did during the show and
after it. You’ve probably read elsewhere how the organisers
massively underestimated its attendance, leaving a couple of thousand
people stranded outside for at least a couple of hours. Luckily
I wasn’t one of those people. The feel of the show was upbeat
with a real emphasis on comics rather than film with a side helping
of comics (see San Diego Comic Con). There was enough of a presence
from the major publishers to make it worth my while. Highlights
of the trip for me were: interviewing Frank Miller and drinking
porter with him in a pub in Midtown on Monday for three hours for
the Studio Space book, getting time to interview Jim Lee at the
show on Sunday, also for Studio Space and getting to do some touristy
stuff on Tuesday, like going up the Empire State Building (bloody
freezing but indescribable views), walking through Central Park
and spending an hour at the Natural History Museum, which was also
very impressive indeed. I also managed to fit in some time to show
a proposal I’ve been working on with my friend, artist David
Morris, to a number of people including Jonathan Vankin at Vertigo,
Mark Chiarello at DC and Mike Oeming, It was also a pleasure to
catch up with Bill Baker and his friend David Michael Beck and my
friends Andy and Susie, who came from LA. Before this becomes too
much of an Oscars thank you speech, I’m going to sum it up
in one sentence for you: it was a great week, but too bloody cold,
marred by some personal stuff. I’ve already pencilled in the
dates for next year.
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